#1
7th April 2013, 12:00 PM
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LSAT Test Prep
Give me some sample questions for preparation of LSAT Test?
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#2
9th April 2013, 10:41 AM
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Re: LSAT Test Prep
You want sample questions of LSAT Test so here I am giving you the same: 1. If the last digit of an acceptable product code is 1, it must be true that the (A) first digit is 2 (B) second digit is 0 (C) third digit is 3 (D) fourth digit is 4 (E) fourth digit is 0 2. Which one of the following must be true about any acceptable product code? (A) The digit 1 appears in some position before the digit 2. (B) The digit 1 appears in some position before the digit 3. (C) The digit 2 appears in some position before the digit 3. (D) The digit 3 appears in some position before the digit 0. (E) The digit 4 appears in some position before the digit 3. 3. If the third digit of an acceptable product code is not 0, which one of the following must be true? (A) The second digit of the product code is 2. (B) The third digit of the product code is 3. (C) The fourth digit of the product code is 0. (D) The fifth digit of the product code is 3. (E) The fifth digit of the product code is 1. 4. Any of the following pairs could be the third and fourth digits, respectively, of an acceptable product code, EXCEPT: (A) 0, 1 (B) 0, 3 (C) 1, 0 (D) 3, 0 (E) 3, 4 5. Which one of the following must be true about any acceptable product code? (A) There is exactly one digit between the digit 0 and the digit 1. (B) There is exactly one digit between the digit 1 and the digit 2. (C) There are at most two digits between the digit 1 and the digit 3. (D) There are at most two digits between the digit 2 and the digit 3. (E) There are at most two digits between the digit 2 and the digit 4. Rest of questions is given in attached pdf file. You are free to download it. |
#3
5th July 2015, 09:10 AM
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LSAT Test Prep
I have applied for the Law School Admission Test . Will you please provide the previous LSAT Test questions for preparation ?
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#4
5th July 2015, 10:12 AM
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Re: LSAT Test Prep
Here I am providing the list of few questions of Law School Admission Test which you are looking for . Passage for Questions 1, 2, and 3 The painter Roy Lichtenstein helped to define pop art—the movement that incorporated commonplace objects and commercial-art techniques into paintings—by paraphrasing the style of comic books in his work. (5) His merger of a popular genre with the forms and intentions of fine art generated a complex result: while poking fun at the pretensions of the art world, Lichtenstein’s work also managed to convey a seriousness of theme that enabled it to transcend mere (10) parody. That Lichtenstein’s images were fine art was at first difficult to see, because, with their word balloons and highly stylized figures, they looked like nothing more than the comic book panels from which they were (15) copied. Standard art history holds that pop art emerged as an impersonal alternative to the histrionics of abstract expressionism, a movement in which painters conveyed their private attitudes and emotions using nonrepresentational techniques. The truth is that by the (20) time pop art first appeared in the early 1960s, abstract expressionism had already lost much of its force. Pop art painters weren’t quarreling with the powerful early abstract expressionist work of the late 1940s but with a second generation of abstract expressionists whose (25) work seemed airy, high-minded, and overly lyrical. Pop art paintings were full of simple black lines and large areas of primary color. Lichtenstein’s work was part of a general rebellion against the fading emotional power of abstract expressionism, rather than an aloof (30) attempt to ignore it. But if rebellion against previous art by means of the careful imitation of a popular genre were all that characterized Lichtenstein’s work, it would possess only the reflective power that parodies have in relation (35) to their subjects. Beneath its cartoonish methods, his work displayed an impulse toward realism, an urge to say that what was missing from contemporary painting was the depiction of contemporary life. The stilted romances and war stories portrayed in the comic books (40) on which he based his canvases, the stylized automobiles, hot dogs, and table lamps that appeared in his pictures, were reflections of the culture Lichtenstein inhabited. But, in contrast to some pop art, Lichtenstein’s work exuded not a jaded cynicism about (45) consumer culture, but a kind of deliberate naivete, intended as a response to the excess of sophistication he observed not only in the later abstract expressionists but in some other pop artists. With the comics— typically the domain of youth and innocence—as his (50) reference point, a nostalgia fills his paintings that gives them, for all their surface bravado, an inner sweetness. His persistent use of comic-art conventions demonstrates a faith in reconciliation, not only between cartoons and fine art, but between parody and true (55) feeling. Question 1 Which one of the following best captures the author’s attitude toward Lichtenstein’s work? (A) enthusiasm for its more rebellious aspects (B) respect for its successful parody of youth and innocence (C) pleasure in its blatant rejection of abstract expressionism (D) admiration for its subtle critique of contemporary culture (E) appreciation for its ability to incorporate both realism and naivete Law School Admission Test questions For the question paper , here is the attachment |
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