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15th April 2016, 08:55 AM
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Department of English Burdwan University
Hi buddy I want to get syllabus of MA English program offered by Department of English Burdwan University along with faculty name bcoz I want to do PG from there ??
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#2
15th April 2016, 08:58 AM
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Re: Department of English Burdwan University
Department of English Burdwan University offered MA English designed to lend competence in English language skills, through a close reading of literature. At the same time, the course hones research skills, making students aware of the cultural contexts of literary studies, For admission in this program you must completed graduation The University of Burdwan Department of English faculty 1 Prof. Lakshmi Narayan Gupta 2 Prof. Rama Kundu (Ghosh) 3 Prof. anima Biswas 4 Prof. Asok Kr. Hui 5 Prof. Deb Narayan Bandyopadhyay 6 Prof. Parbati Charan Chakraborty 7 Prof. Pradip Kr Dey 8 Prof. Bijay Kr Das 9 Dr. Himadri Lahiri 10 Dr. Angshuman Kar Department of English Burdwan University MA English syllabus Semester I Paper 101 & 102: Medieval and Renaissance English Literature (Excluding Shakespeare) These courses propose to study Medieval, Renaissance and Refor mation English literature in the context of social, political and religious events that contributed to the formation of early modern culture in England. Paper 101 : Medieval and Renaissance English Literature (Excluding Shakespeare) I Unit I (Any two ) Geoffrey Chaucer: Prologue to the Canterbury Tales / The Nun’S Priest’s Tale , Edmund Spenser: The Faerie Queene BK I , Sir Gawaine and the Green Knight , Pearl , Everyman Unit II (Milton and any t wo poets) John Donne: ‘The Flea’, ‘A Valediction: Forbidding Mour ning’; Andrew Marvell: ‘The Garden’, ‘An Horatian Ode Upon Cromwell’s Return from Ireland’ ; Herbert: ‘The Collar’, ‘The Pearl’; Mary Wroth : ‘ Bee you all pleas'd, your pleasures grieve not me ’, ‘No time, no roome, no thought, or writing can give rest’ ; Chap man: ‘Bridal Song’, ‘The Shadow of Night’ ; Henry Vaughan : ‘The Retreat’ , ‘The Storm’; John Milton : Paradise Lost BK IV Paper 102: Medieval and Renaissance English Literature (Excluding Shakespeare) II Unit I (Any three ) Thomas Kyd: The Spanish Tragedy , Christopher Marlowe: Doctor Faustus / Tamburlaine , John Webster: The Duchess of Malfi / The Whi te Devil , Ben Jonson: Volpone / The Alchemist Unit II (Any two ) Selections from Pico della Mirandola’s Oration on the Dignity of Man , John Lyly’s Eupheus , Philip Sidney’s Arcadia , Machiavelli’ s The Prince , John Hobbes’s The Leviathan Recommended Reading for 101 and 102: Peter Brown, e d. A Companion to Medieval English Literature and Culture: c.1350- c.1500 Pico della Mirandola. Oration on the Dignity of Man: A New Translation and Commentary . Trans. and Ed. Francesco Borghesi, Michael Papio, and Massimo Riva, 2012. Machiavelli. The Prince. Trans. and Ed. Jacques le Goff. Time, Work and Culture in the M iddle Ages , 1980. Eileen Power. Medieval Women , 1975. Paul O. Kristeller. Renaissance Thought and Its Sources , 1979. William Kerrigan and Gordon Braden. The Idea of the Renaissance , 1989 . J.B. Trapp, ed. Background to the English Renaissance , 1974. Robert Ashton. Reformation and Revolution, 1558- 1660 , 1984. Stephen Greenblatt . Renaissance Self -Fashioning , 1980. Margaret L. King. Women in the Renaissance , 1991. M. Bluestone and N. Rabkin, eds. Shakespeare’s Contemporaries , 1961. Paper 103 : William Shakespe are I (Plays & Poe ms ) This paper proposes a study of select tragedies, comedies and sonnets of William Shakespeare with the express intent of making students aware of the enduring importance of Shakespeare in his times and ours. Unit I (Any three ) King L ear, Hamlet, Julius Caesar, Anthony and Cleopatra , Richard III Unit II (Any two plays ) Twelfth Night, The Merchant of Venice , A Midsummer Night’s Dream, The Tempest , Measure for Measure Ten sonnets : Sonnet No. 1, 19, 29, 32, 46, 55, 65, 71, 116, 147 William Shakespeare II ( Background, Reception & Translation) This paper will exp ose the students to Shakespeare’s time and stage and give them an overview of different critical approaches to Shakespeare. It will also map the reception of Shakesepeare through translations and adaptations with a particular focus on the Indian context. Unit I Shakespeare: Critical Approaches Neo -classical: Dryden, Dr Johnson, Maurice Morgan Romantic: Coleridge, Lamb, Thomas De Quincey Victorian: Carlyle, A.C. Bradley Modern: Wilson Knight, L.C. Knights, Caroline Spurgeon, E.M.W. Tillyard, S.C. Sengupta Recent Trends: Gender -informed Approach, New Historicist Approach, Cultural Materialist Approach, Postmodernist Approach Unit II Shakespeare’s Time and Stage Shakespeare’s Reception in India (1850- till date): A Brief History Shakespeare in Films: Romeo and Juliet (Dir. Franco Ze ffirelli), Hamlet (Dir. Kenneth Branagh) , Maqbool , Omkara (any one) Shakespeare in Translations and Adaptations : Hurro Chunder Ghose : Bhanumati Chittobilas , Girish Ghosh: Macbeth , Utpal Dutt : Chaitali Rater Swapno (any one ) Recommended Reading for 102 and 103: E.K. Chambers. William Shakespeare: A Study of Facts and Problems , 1930. E.K. Chambers. The Elizabethan Stage , 1923. G.E. Bentley. The Jacobean and Caroline Stage , 1941- 68. O.J. Campbell and E.G. Quinn, eds. A Shakespeare Encyclopaedia (also published as Reader’s Encyclopaedia of Shakespeare ) 1966. C.L. Barber. Shakespeare’s Festive Comedy , 1959- 1972. E.M.W. Tillyard. Shakespeare’s Last Plays , 1938. E.M.W. Tillyar d. The Elizabethan World Picture , 1942. Stephen Greenblatt. Renaissance Self Fashioning , 1980. Jan Kott. Shakespeare: Our Contemporary , 1983. Stanley Wells and Gary Taylor, eds. William Shakespeare: A Textual Companion , Oxford 1987 Ivo Kemps, ed. Shakespeare: Left and Right , 1991. Jonathan Dollimore and Alan Sinfield, eds. Political Shakespeare: New Essays in Cultural Materialism , 1985. John Drakakis, ed. Alternative Shakespeares , 1985. Jean Wilson. The Archaeology of Shakespeare , 1995. Ania Loomba. Shakesp eare, Race and Colonialism , 2002. Amitava Roy, Hemlat: The Prince of Garanhata , 2012 . Paper 105 : Classical Literature and Criticism (European and Indian) The classical European literature and critical thought course reminds students of the ideological and aesthetic assumptions of British literature and situates such writing within and between European linguistic/cultural traditions . T he course also exposes students to Indic aesthetic traditions, and enables them to appreciate cross -cultural aesthetics. The inclusion of Indic aesthetic texts takes into account the culturally hybrid space within which English operates in India. Unit I (Any three European and any one Indian text) Plato: The Republic (Books III & X), Aristotle: The Poetics , Horac e: Ars Poetica , Longinus: On the Sublime , Rasa- Siddhanta with special reference to Bharatmuni ’s “On Natya and Rasa: Aesthetic of Dramatic Experience”, Dhavni -siddhanta with special reference to Anandvardhana’s , “Dhavni: Structure and Meaning”, Vakrokti -Siddhanta with special reference to Kunatak’s “Language of Poetry and Metaphor” Unit II (Any three ) Homer: The Iliad (Selections), Virgil: The Aenied (Selections) , Aeschylus: Agamemnon , Sophocles: King Oedipus , Euripides : Medea , Plautus: The Ghost , Arist ophanes: The Frogs Recommended Reading: Penelope Murray & T.S. Dorch (trans). Classical Literary Criticism . 2000. Manomohan Ghosh (trans). The Natyasastra: A Treatise on Hindu Dramaturgy and Histrionics . 1959. Semester II Paper 201 & 202: Eighteenth Century English Literature I and II The Eighteenth century course (I and II) exposes students to the coming of Enlightenment modernity, print cultures, Romantic sensibilities, and the emergence of new genres (and modes) such as the novel, the periodical essay, gothic narratives, children’s writing; sentimental literature, travel narratives , life narratives and more . These emergent genres operating within the oral -literate dynamic; engaging with technological innovations and cross -cultural concerns (as a result of imperial expansions) now demand newer and more complex modes of reading -response. The course hopes to sensitize students to the same. Paper 201 : Eighteenth Century English Literature I Unit I (Any three) Aphra Behn: Oroonoko, Daniel Def oe: Moll Flanders/Robinson Crusoe/Roxana, The Fortunate Mistress , Eliza Haywood: Fantomina, or Love in a Maze, Fanny Burney: Evelina: Or the History of a Young Lady’s Ent rance into the World , Jonathan Swift: Gulliver’s Travels, Lawrence Sterne: Tristam Shandy, Henry Fielding: Tom Jones/Joseph Andrews Unit II (Two play s and one prose work) Dr. Samuel J ohnson: Rambler: (No. 134. 1751 ), Joseph Addison: Spectator (Selections) , James Boswell: Life of Samuel Johnson (Selections) , John Dryden: Translation of Plutarch’s Lives, Alexander Pope: Translation of Homer’s Iliad, John Dryden: Aurangzebe , Richard Steele: The Conscious Lovers , Richard Brinsley Sheridan: The School for Scandal, William Goldsmith: She Stoops to Conquer , William Hogarth. Paper 202: Eighteenth Century English Literature II Unit I (Any three) Mary Shelley: Frankenstein: or The Modern Prometheus , Horace Walpole. The Castle of Otranto: A Gothic Story , M.G. Lewis: The Monk: A Romance , Samuel Richardson: Pamela or Virtue Rewarded, Maria Edgeworth: Castle Rackrent , Walter Scott: Ivanhoe/Rob Roy/Waverly , Jane Austen: No rthanger Abbey /Mansfield Park/Sense and Sensibility Address The University of Burdwan Rajbati Burdwan, West Bengal 713104 more detail attached a pdf file; |
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